VINCENT PRICE, SPINE-TINGLER EXTRAORDINAIRE
By Frank Scheck
From
The Christian Science Monitor, 10.29.1993
My most vivid memory of a Vincent Price performance is not from one of the many
horror films to which he lent his devilishly sly presence, but rather of a stage
appearance on Broadway in the late 1970s, in which he played the aging Oscar
Wilde in a one-man show. It was a tour-de-force performance, and it was an excellent
reminder that Price, besides being a seminal horror-film figure, was also a superbly
accomplished actor.
Price, who died Monday, first made his mark in such historical works as
Victoria
Regina, in which he costarred on Broadway with Helen Hayes, and
films like
The Private Lives of Elizabeth and Essex and
The Three
Musketeers.
But starting with
House of Wax, a 3-D sensation in 1953, Price became
a screen immortal, going on to star in dozens of horror films, many of them low-budget
and directed by the likes of William Castle and Roger Corman,
including
The Abominable Dr. Phibes,
The Conquerer Worm,
Pit
and the Pendulum,
Masque of the Red Death,
The Tingler (in
which certain seats in the theaters were wired to produce electrical shocks),
House
on Haunted Hill,
The Fly and his personal favorite, the 1973
Theater
of Blood, in which he played an insane actor who methodically murdered theater
critics.
It was Price's elegance, born of his upper-class background, the best private
schools, and many years spent in Europe, that elevated him above his horror-film
contemporaries. He brought a suave intelligence and an urbane sense of humor
to his characterizations, managing to be at the same time both scary and self-mocking.
He was a noted art collector (for years he was the art consultant to Sears Roebuck)
and a gourmet who was the author of several cookbooks.
In his later years he was a beloved figure, an icon of horror, who put his reputation
to good use with such ventures as hosting the PBS series "Mystery" and
narrating Michael Jackson's video for "Thriller." Tim Burton, the director
of
Batman, revered him, and cast him in his last movie role, as the creator
of
Edward
Scissorhands. Price also gave a memorable performance in 1987's
The Whales
of August, opposite two great film actresses, Lillian Gish and Bette
Davis.
Vincent Price was careful not to denigrate the horror-film work that brought
him screen immortality. He was grateful for the fame and fortune it provided.
And we, in turn, can be grateful for the style and sophistication that he brought
to
a maligned genre.